Dating fender twin reverb transformer,
Because the serial numbers are for a particular model and that chassis were stamped sequentially, is reasonable to assume that the serial number infers the Nth unit manufactured.
The bottom line is to do your homework or enlist the aid of an expert. Therefore, the only thing we can infer is that there were 3, tweed Bandmasters, Pros, and Supers made in total.
Like I said, there klopka die falle online dating 5 or 6 of us at the benches every day.
Some tables changed very little and others changed quite a bit. We also received a report of a tweed 5G12 Concert. The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers.
Also note the vertical black lines on the control panel found on earliest silverface amps dating fender twin reverb transformer the large ceramic power resistors coming off the power tube sockets which indicates the AB circuit.
The amps that received the stamped suffix must also be added to this sub-total.
S.V.V.A. - Dating Fender Amps
The revisions were made based on data collected since the tables were initially published. In addition, the dating-by-serial number tables have been revised and are more accurate.
One has to wonder where all those factory original export back panels are! But changes took place in as well. Paul worked with Greg on their small box brown Twin myth busting research and is extremely knowledgeable about Fender amps in general with a specialization in the brown and blonde amps.
Another anomaly was observed in with the 6G6-A Bassman.
Dating A Fender Silverface Twin Reverb
Greg and I also disagree about determining production from serial numbers. So how many of these chasses were made?
Some serial numbers have a letter prefix plus 4-digits instead of the usual 5- or 6-digits. Sincemore interesting factoids of interest have surfaced and are presented here.
For now, the dating schemes for these series are: Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built. I will present my hypothesis here and let Greg present his side of the story in a future article.
Remember, this model shares a chassis with the narrow panel tweed Pro and Super. Since these amps are so rare, it is impossible to comment on the technical or tonal differences between the two circuits.
How about those rarebird Vibroverbs? Same with the little rectifier boards.
Dating A Fender Silverface Twin Reverb | Telecaster Guitar Forum
To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. Again, these are rare and exceptions to the norm.
For instance, the serial numbers for tweed Bandmaster 3x10 run from S to S For example, the serial numbers for 5F6 and 5F6-A Bassman amps run from BM to BM therefore we can conclude that there were about 4, units made. But other changes may be meant to deceive.
For the uniquely serialized models, the production estimates using my hypothesis, can be determined from the serial number tables. This was the first year for the blonde 6G9 Tremolux. For some reason, folks are willing to poke their head into tweed, blonde, brown and blackface amps, but not into silverface amps.
The model was supposedly discontinued in Another interesting tidbit is that a lot of Fenders were imported into Australia in the late s and early s that were stock volt domestic US units.